Tento dokument vznikl po nkolikaletm studiu dla vznamnho spoleenskovdnho myslitele dvactho stolet Friedricha Augusta von Hayeka (vychz t z etby jeho interpret a nkterch "inspirtor") a byl sepsn pro ely zvren prce ve vedlej specializaci Filosofie na Vysok kole ekonomick v Praze. Autor se rozebranm tmatm ji v nkolika svch dvjch statch vnoval. Tentokrt vak presentuje ucelenj pohled, jeho clem je vyloit problematiku s akcentem na vzjemn souvislosti jev a mylenek. Pro pehlednost je text strukturovn do kapitol. Po krtkm vodu (...) se vnuje vymezen fundamentlnch (Hayekem resolutn od sebe odliovanch) pojm, ktermi jsou spontnn d a organizace. Navazuje kapitola upozorujc na potky konstruktivistickho racionalismu, resp. na mylen Ren Descarta, Hayekem oznaovanho za filosofa stojcho u zrodu neomezen vry v rozum. Dal kapitola je vnovna Davidu Humovi, jeho teze Hayek astokrt "naden cituje" a kter poskytuje "oporu" jeho anti-racionalistickmu pstupu. Pot se text sousted na spontnn d trhu (zejmna pak na otzku spravedlnosti a svobody) a presentuje Hayekv vznamn koncept ve spolenosti rozptlench znalost. Nakonec autor krtce diskutuje dnen uplatnn Hayekova rozshlho odkazu. Pedkldan prce se primrn zamuje na ideu, kter jednoznan prostupuje celm Hayekovm dlem a poskytuje mu zcela zsadn argument pro vysvtlovn jev ve spolenosti, toti na ideu omezenosti naeho poznn. Clem pspvku je upozornit na Hayekovo mylen prostednictvm vybranch tmat, piem se v ppad tchto soustedit na kritickou reflexi hranic rozumu s poukazem na jej vznam a dsledky. (shrink)

Islamic ethics. ; Christian ethics. ; Ethics, Comparative.

daftar-i avval. Nishastʹhā va guftigūhā -- jild-i duvvum. Mabāḥis̲-i naẓarī, tārīkhī va kārburdī -- jild-i sivvum. Insān, imāmat, siyāsat -- jild-i chahārum. Akhlāq va siyāsat.

Resumen En este artículo analizaremos, a través de una serie de actividades diseñadas para implementar en el aula, el modo en el que un grupo de jóvenes gallegos co-construyen el conocimiento metalingüístico y metapragmático acerca de las diferentes variedades locales del español y gallego. La exposición de su trayectoria biográfica permite que afloren diversos saberes y conocimientos metalingüísticos que los estudiantes han ido adquiriendo a lo largo de su escolarización y, además, surgen diversas categorizaciones sobre lenguas y variedades que ponen (...) de manifiesto sus ideologías lingüísticas, pp. 157–174). A través del análisis de las prácticas metalingüísticas y metapragmáticas comprobaremos cómo se reproducen las ideologías lingüísticas de estos jóvenes; por una parte, las ideologías de la institución académica y escolar; y por otra, las ideologías lingüísticas de los jóvenes presentes en el aula, en donde etiquetan, clasifican y establecen jerarquizaciones y valoraciones de su repertorio comunicativo. Finalmente, se comprueba cómo las diferentes variedades del español y del gallego actúan como índices de identidad social diferente de la reconocida en el ámbito institucional y académico, con distintos valores en el mercado lingüístico. (shrink)

On the ethics and character of Prophet Muḥammad d. 632.

On Islamic ethic and its relation with religious practices of Muslim.

Islamic philosophy - Congresses ; Sufism - Congresses.

Philosophy, Islamic; Shiites; early works to 1800.

Résumé Je me propose de faire un bref aperçu des traductions bulgares de l’œuvre de Condorcet : son nom apparaît au début du XXe siècle grâce à la traduction de l’Esquisse d’un tableau historique des progrès de l’esprit humain par le juriste Tzvetan Vassilev Poupechkov. L’œuvre est à nouveau publiée dans les années 1940 pour répondre aux besoins idéologiques des milieux socialistes et communistes. L’article s’emploie à définir les motifs du traducteur bulgare Dimităr Ivanov Polyanov (1876-1953), poète « du prolétariat (...) » éduqué en France, et à éclairer l’intérêt des éditeurs et des chercheurs des deux dernières décennies pour l’œuvre de Condorcet. (shrink)

The aestheticization of everyday life is a multidimensional socio-cultural phenomenon. The study of the history of everyday life is today one of the most relevant areas of modern science.This research aims to identify the origins of the process of aestheticization of everyday life in Modern times and the expansion of time boundaries beyond its philosophical understanding in the XVIII century. The purpose of the study is to analyze the historical material of the XVII century, demonstrating that the processes of aestheticization (...) and theatricalization of everyday life took place at this time. In France of the XVII century, there are all conditions for the process of aestheticization and theatricalization of everyday life. The process of socialization of elites is completed by the middle of the XVII century, a new aesthetic taste and aesthetic ideal is being formed, which can be transferred to the subject-spatial environment, art is being institutionalized and the luxury industry is emerging. In the XVII century, we see not only the artistic and aesthetic design of the subject-spatial environment, but also an absolutely obvious expansion of artistic life beyond art, when everyday life is likened to art, bodily needs such as sleep, nutrition, toilet are aestheticized and dramatized. There was also a change in the canons of behavior and appearance under the influence of a new aesthetic ideal. The process of aestheticization in the XVII century was not of a mass nature, remaining elitist and affecting only the social elite. However, the model or mechanism of the aestheticization of everyday life, created in the XVII century, persists for the next centuries, spread across Europe and reach Russia. (shrink)

Issues of style in art are fundamental issues of modern aesthetics, since style is put forward in a number of main categories of art, acting as a principle of the organization of aesthetic form. It is no coincidence that over the past century, the attention of numerous researchers has been drawn to the XVII century - the beginning of the history of aesthetics of modern times, in which, perhaps, the root of modern problems lies. In this respect, the XVII century (...) seems to be the most grateful material for a discussion about style, since in the XVII century great styles arise that will develop and transform in the following centuries and will determine the development of art for many decades - classicism and Baroque. Since the 30s of the XX century, in studies devoted to the study of literature and art of the XVII century, a departure from the theory of classicism of the XIX century is planned. The first stage of this turn is the study of the creativity of the "pillars of classicism", which demonstrated that it has nothing to do with hierarchized academicism and reverence for norms. The desire to please the public, which was initially perceived as the main paradox in the theory of classicism, is further formulated by researchers as the presence of a different aesthetic. The next stage - the term "classicism" itself is criticized as late, evaluative, giving this era the meaning of the absolute. As a result, many researchers come to the conclusion that in France of the XVII century there was no literary and aesthetic doctrine as a single and "classical" one. Finally, the third stage of the study - the appeal to a single anthropo-socio-cultural concept of history, the use of sociological methods to highlight the gallant ethos allows us to conclude that classicism is a phenomenon in the field of art, gallantry is not only an artistic phenomenon, but also a social one. (shrink)